Synth Repairs

Analogue Systems RS-40 Noise, Sample and Hold, Osc

This came in as 'defective'. After a while it became obvious the noise output was not working. This was traced to an open-circuit LEVEL contol pot (10k lin) which was replaced. Still it didn't work as a sample and hold - i.e. I was expecting to see a stepped output from S\H OUT. Not having used the RS-40 before it took me a while to realise that the noise and clock signals are not normalled to the Sample and Hold circuit like the front panel markings suggest; the lines linking NOISE OUT to EXT SRC IN and INT CK OUT to EXT CK IN suggest to me these are linked in some way but no. 

RS-40

After looking at the jacks it was clear that these are not normalled (I'm not sure if this is the case with all RS-40s but this one looked clean and unmodified so I'm assuming it was factory standard). I used external patch leads and to link the noise and clock outs and ins and hey presto it worked. The first thing that I saw on the scope was at each sample point the sampled signal is present for what I guess is the duration of the sample pulse (about 0.2ms). When using the RS-40 to modulate a VCO I could not tell that the noise spikes were a problem, in fact it is probably above hearing range (at least mine). 
 

Noise spikes

However I didn't much like it and I didn't much like not having the noise and clock not normalled to the S/H circuit. I spoke to the owner and he agreed to have a couple of simple mods applied.

The noise and clock signals are present on the jack board close to where they would have to go for normalled connections. The switched contacts were connected to ground on both EXT SRC IN and EXT CK IN jacks by solder bridges. I removed the solder bridges and fitted links as can be seen here. This worked a treat allowing it to work without patching but still allowing external signals to be patched in if need be.

Solder removed from red arrows and links applied at yellow arrows

The noise spikes 'problem' although not audible was fixed by placing a 10nF cap across the S/H output amplifier's feedback resistor (27k) making it a low-pass filter with a cutoff of 590Hz. This got rid of the spikes without adding noticeable slew.

10nF capacitor

Spike free steps

My favourite synth module - Doepfer A-156 Dual Quantizer

Taking a leaf out of PatchPierre's book I have decided to post an article about a really neat module: the Doepfer A-156 Dual Quantizer.

Firstly what does a quantizer do? Well it is a control voltage processor, it takes a voltage applied to its input and outputs a control voltage that only has certain discrete voltage levels. Normally a quantizer will be used between a step sequencer and a VCO to control its pitch. For instance a chromatic quantizer will only output voltages that are in 1/12th of a volt (83.3mV) or semitone steps. A diatonic quantizer will only output voltage steps that represent the notes of a major or minor scale.

I like the A-156 so much I have two of them.  So what makes it so special?

For a start it is two separate quantizers; In the last week I have heard two people say that Quantizer 1 is not as useful as Quantizer 2 because Quantizer 2 has major/minor scale and chord switches whereas Quantizer 1 is just chromatic. Tone's Top Tip #1: There is a jumper that can be set so that both quantizers use the switches (update 19th Dec: Check out PatchPierre's modification). This is great because now two VCOs can be controlled to give a two-part harmony or in my case with two quantizers and four VCOs, a four-part harmony. This works even if what you apply to the inputs is random e.g. LFO into one and S/H into the other. You only get pitches that sound good together (unless the switch is in the All position) and also first set up both VCOs to be in tune with no CV input applied. I usually tune my VCOs to D with the quantizers outputs set to 0V. With the switch set to major scale what comes out is all in D major.

Top Tip #1 Jumper setting

Tone's Top Tip #2: The Trig In jack means the quantizer can be used as a Sample and Hold (S/H). It will only output a new quantized note when it sees a trigger pulse. Ok so its quantized but it's useful.

Tone's Top Tip#3: The Trig Out only fires when it sees a change on the input that causes a new quantization level to be output - so it's a voltage change detector. The A-156 only operates on voltages that are between 0V and +10V so any negative voltage will not produce a trig output. This can be used to great rhythmic advantage. Try triggering the quantizer with one LFO whilst putting another into its CV input. Trig out only happens when there is a trigger in AND there is a positive CV input that is different to the previous CV input that was triggered. I do this with one LFO into both Trig Ins and another LFO into one CV In and a S/H into the other - use the Trig out's to fire ADSRs to control VCFs/VCAs and vary the rates of the LFOs and S/H to get great rhythmic patterns. 

Tone's Top Tip#4: Also try triggering both quantizers with a LFO and take X/Y outputs from the A-174 Joystick into the CV ins and use the CV outputs to control two VCOs - play nice two-part harmonies with just the joystick.

Tone's Top Tip #5: Try putting a VCO through the quantizer, it mangles the audio in a similar sort of way as a bit-crusher does. It works well at lower frequencies; you can use the CV out and the Trig out for very nasty audio distortion.


In this picture my two A-156s are in the top left next to the MFB SEQ-02. 

Rush out and buy one if you don't have one, better still buy two!